With more than one billion dynamic Facebook users and an average of more than 400 million tweets posted every day, there is no doubt that social media has changed how individuals share data. This is something that is having a profound impact on corporate communications, particularly in the field of crisis communications. Potential issues that may previously have been limited in their audience scope now reach millions when posts go viral.
Organisations or brands affected by an issue highlighted on social media need to effectively harness its power to counter the crisis. Crisis management in the social media age means maximising its use as a tool; in particular its influence in speed, engagement, message control, interactivity, authenticity, cross-boundary nature, visibility and transparency.
Although there is no single definition of a crisis for a business, generally it can be considered as any occurrence that harms its brand, reputation or operations. This may involve a financial impact, harm to individuals, prevention of the company’s daily functions and a threat of or actual damage.
In analyses of how social media changes customers’ responses to crises, research has shown the need for strategies and systems to address issues; including two-way dialogue, use of video technology, monitoring communications, listening to the audience, having an existing relationship with the consumer pre-crisis and being accountable, honest, open, transparent and credible. It has also found that showing a human, authentic and compassionate face is vital. The speed with which information can move immediately has been identified as key to preventing the escalation of a small crisis to a major one, which can occur within days, hours or even minutes in some cases.
Social media has changed both how crises unfold and the crisis communication strategies companies need to address them. It supports the two-way symmetrical model of public relations, revealing that previous strategies – once effective in repairing a damaged image or reputation – are now less relevant in today’s media landscape.